Thursday, 20 October 2016

A&AD and YCN Analysis

In todays session we were informed to look into some of the A&AD and YCN Annual books which showed work from their previous competitions. In groups our tutor advise us to look at these annuals, select one piece of work from there. Then analysis how we would think the brief for that particular work was made and how was brief written up in this type of format. 

Pieces of work that I analysed

A&AD - DDB London for Harvey Nichols

DDB London (adam&eveDDB is a unique communications company made up of
people from advertising, design, digital, technical, social media and direct.

What they do
Their mission is simple, they work with their client partners to make brilliant work that works.
They are defined by having a highly interactive, open way of working - they have a fast-moving, fast-working and collaborative culture. They all sit together, intermingled so that they create a single family of skills to benefit our clients.

Clients and the public respond powerfully to their work because they unlock the reasons why brands are loved and then create inspiring and hugely effective communications.

Harvey Nichols has created a series of print ads, featuring characters from Aardman's stop motion animation, Wallace and Gromit, to promote the opening of its new store in Bristol.
The adverts, shot by Giles Revell for DDB London, show Wallace, Gromit and Lady Tottingham posing in designer clothes next to the text: "Harvey Nichols. Now open in Bristol."
In this adverts of Wallace has discarded his precious green tank top in favour of a navy cashmere jacket and silk tapered trousers by Alexander McQueen, a Dolce & Gabbana fitted white shirt and a Giorgio Armani tie, while Gromit wears a navy silk Paul Smith scarf.
Reviews
The images appear next to text stating: "Harvey Nichols. Now open in Bristol."
Sean Clarke, who is the head of marketing and licensing at Aardman, said: "I've never seen Wallace and Gromit looking so chic and stylish. I think it only fitting that W&G, a great British institution, celebrate another institution in retailing Harvey Nichols coming to Bristol."
Julia Bowe, the marketing director at Harvey Nichols, said: "We were delighted that these two characters so close to the heart of Bristol agreed to appear in our ad campaign for the launch of our sixth store in the UK, and our flagship store in the South West."





YCN - Chineasy Illustrations by Noma Bar | ShaoLan Hsueh

Avinoam 'Noma' Bar is an Israel born graphic designer, illustrator and artist (born in 1973).

His work has appeared in many media publications including: Time Out London, BBC, Random House, The Observer, The Economist and Wallpaper

Bar has illustrated over 100 magazine covers, published over 550 illustrations and released two books of his work through Mark Batty Publisher: Guess Who - The Many Faces of Noma Bar and Negative Space.

Bar's work has become well known throughout the world, winning various industry awards; more recently the prestigious Yellow Pencil award at the D&AD Professional Awards for his series of Don DeLilo covers, created with London design studio It'sNiceThat. His London Design Festival exhibition 'Cut It Out', was selected as one of the highlights of the festival. The project was nominated in the graphics category for the Design Museum, Designs Of the Year.

Chineasy Illustrations 
The brainchild of tech entrepreneur and self-confessed geek ShaoLan Hsueh, the Chineasy Illustrated Dictionary is an attempt to bridge the linguistic gap between the West and China. 

Her system turns notoriously inscrutable Chinese characters into simple illustrations by Wallpaper. This is produced by the graphic designer Noma Bar, with art direction by Crispin Jameson. 

A funding campaign launched in July reaped nearly £200,000 in pledges. A website is up-and-running and Brave New World Publishing plans to produce a 192-page book in 2014.

Key features: Chinese characters and phrases represented by simple – and beautifully drawn – illustrations by Noma Bar.








After analysing the chosen work from both annuals, we had a group discussion about what are the consistences in an award winning work. Here are the list of important factors to take in account for when we commence with this kind of brief: 

Consistencies in Award Winning Work

  • Nothing is open to interpretation 
  • Placed in context 
  • D&AD felt like a real commercial responses 
  • YCN more hypothetical 
  • Campaigns 
  • Impeccable presentation
  • Ideal and context driven 
  • Simple, clear (not complicated)
  • Innovative 
Then we as a class had another conversation on how we think A&AD and YCN visual presents themselves to the public. This is how they come across to students when putting up competition entries. Here are the following aspects of these two: 


A&AD

  • Visual feedback 
  • Commercial, paid work, professional focus 
  • Consistent 
  • Design 
  • Structured
  • Corporate 
  • Clean
  • Systematic 
  • Dense 
  • Visual 
  • Serious but with a creative edge 
  • Intimidating 
  • Embellishment 
YCN
  • Inspiring 
  • Playful 
  • Creative 
  • Tactile 
  • Expressive 
  • Vibrant 
  • Social influence 
  • Understated





Penguin Student Design Award 2017 Briefs - The Secret Diary Of Adrian Mole Aged 13 3/4 by Sue Townsend

Penguin Student Design Award 2017


The Penguin Random House Student Design Award is an opportunity for students interested in pursuing a career in design to experience real cover design briefs first-hand.
To make the process even more similar to the way our designers work, once the judges have selected the shortlist, the Art Directors will give the shortlisted entrants feedback and further art direction on their submissions. Shortlisted entrants will then be invited to resubmit their work, taking on board all the comments, before the final round of judging.
The Penguin Random House Student Design Award is open to anyone studying on a Further Education or Higher Education course (part time or full time) in any subject and at any level. Our aim is to nurture and encourage anyone who is interested in following a career in design, which includes but is not exclusive to students on design courses. Entrants must be aged 18 or over by July 2017. The competition is open to amateur designers not currently or previously employed in the graphic design field.
Students may enter a maximum of one design in each of the categories:
  • Adult Fiction Cover Award - To Kill A Mockingbird by Harper Lee 
  • Adult Non-fiction Cover Award - In Cold Blood by Truman Capote
  • Children's Cover Award - The Secret Diary Of Adrian Mole Aged 133/4 by Sue Townsend

Check List for responding to this kind of  Live Brief 
  • Look at other illustrators similar sort of style
  • Previous or existing book designs
  • Research the judges (styles) Professional backgrounds, previous competitions on judging. Social media - Instagram etc. 
  • Read the book/watch the movie of the book 
  • Research on suitable typography 
  • Gathering images - secondary research 
  • What the author intended: themes & influences
  • Year of publish: design movements & typographic styles 
  • Book reviews: Peoples opinions inform design directions
  • Previous winners/ short listed designs
  • Previous rejected designs
  • Identification of an unique approach: target audience, genre/competitors, Look at context trends in cover designs 
  • Ambiguous visual responses 
  • Free associations 
  • Visual semiotics 
  • Tone of voice of the book 
  • Other visual formats that the book has been advertise 
  • Analysis your own visual style - trying to make links to other designs
  • Analyse the feel of the product 
Selecting the chosen Brief
To commence this live brief, I have decide to chose the Children's Cover Award - The Secret Diary Of Adrian Mole Aged 133/4 by Sue Townsend book cover design. 

Before the designing stages of this brief, I will need to do the following: 
  • Researching the book (Read the book, target audience, genre/competitors, look at previous designs, research on the judges - Styles, professional background, previous competitions that they have judged, research on the author, research the book - Themes & influences etc.) 
  • Consider book reviews of the book - Peoples opinions inform a design direction 
  • Would be good to purchase and analyse the product (current book design) 
  • Tone of Voice of the book 
  • Other visual formats that the book has been advertise 
  • Consider similar or other illustrators style 
  • Research other books that are similar to the Secret Diary of Adrian Mole Aged 13 3/4, for example: A Diary of a Wimpy Kid & Diary of a Killer Cat by Anne Fine & The Diary Of A Young Girl by Anne Frank. Considering their book cover designs, would be beneficial to this brief.  

Thursday, 13 October 2016

Studio Brief 01 | 'Everything that I found Challenging'

In todays session we are starting our PPP 02 - Studio Brief 01. In this our tutor Simon, has told us we need to think about our past experience in first year what things we found difficult. The name of this brief is called 'Everything that I found Challenging'. 

To commence this brief, I have put down some bullet points that relates to this kind of subject matter. Then I will have some bullet points on how I would resolve these problems. 

Challenges
  • Finding my interest
  • Visiting exhibitions of my interest 
  • Time management 
  • What to present (work)
  • The course (first year everything was quite challenging)
  • Organisation
Analysing the challenges
For finding my interest in the Graphic Design industry, I will need to look into and read more design website and magazine. Especially for the category contemporary Graphic design, the websites that I will be looking at more will be: That is nice, eye etc. 

After finding my interests, I will then be able to find talks, exhibitions and creative networks of my chosen interest of Graphic designers. 

For sorting out my time management, I need to stop being distracted and control my procrastination. If I create a timetable, and stick with this routine. I believe I can get more work done. As well as booking printing slots in well advance, otherwise I will not be able to print out my work professionally and it will look rushed. Also map on my calendar, when deadlines need to be in. Thus I can calculate how many days I have to finish my work for the certain brief. 

Resolving Problems
  • Research exhibitions of my interest (e.g contemporary art) 
  • Possibly creating a timetable that I will follow
  • Look more into Graphic Design magazines/news, follow more designers on social media, visiting specific exhibitions of artists within my interest
  • Producing work that interests me, be more prepared for presenting my work (Presentation)
  • Think of solutions on how to feel less stressed and panic (Get plenty of sleep, don't leave work till last minute etc.)
  • Plan and strategise my time during the day better (STOP PROCRASTINATING!!)